A collective of talented digital and traditional creators, united by their passion for exploring the dynamic world of Web3 and NFTs.
@anelej
Currently, I am engaged in re-evaluating everything I have done and questioning the need for creation. Animation remains, but as a short form.
My work process is quite spontaneous. I have a clear vision, but I also allow it to change. I communicate with myself through my creations.
The exhibited works are a revival of existing material from my films in a new form. Old animations in a new edition have merged with new sound, expressing my current insights and thoughts. The works evolve alongside me.
The program began with an introduction to the NFT space by Ivana Ehrensvärd, followed by Vitomir Jevremovic’s exploration of how artists navigate and create within the Metaverse. Natasa Parezanovic provided an overview of the NFT photography market, while Irina Andjelic Grinkina discussed the merging of physical and digital worlds, with examples from institutions like the Hermitage and Vienna Museums. Jovan Tisma delved into the legal and commercial aspects of NFT photography, focusing particularly on copyrights, and Jovana Nedeljkovic examined curatorial practices and questioned whether presenting art solely on NFT marketplaces is sufficient for reaching its full potential.
The event was accompanied by a VR exhibition of photographs, Pareidolia – The Faces of Stara Planina, by Ivan Hadzi Zdravkovic Sosa, an artist devoted to teaching photography. His work was featured as NFTs in the ALL.ART Metaverse and presented in a virtual gallery, allowing visitors to experience the exhibition through VR devices, blending traditional art with digital interactivity.
The exhibition was curated by Ivana Ehrensvärd, Ljudmila Djukic, and Jelena Macanovic, with the technical support of the ALL.ART team. This innovative visual component added a dynamic layer to the event, enhancing the discussion on how technology and art converge.